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It is advisable to always give a generic-family at the end so that the browser selects a font from that generic family only (sans-serif in the above case) if the previous fonts are unavailable. any font installed on the computer that is sans-serif. In case Helvetica is also not available, then the browser will choose any similar sans-serif font i.e. The browser will use Helvetica if it couldn't find Arial. Arial and Helvetica are the names of font-families. To understand it better, consider the above example again. It is a set of fonts which are identical in type. It is the name of a generic-family which is explained below. Now, sans-serif isn't the name of a font. then the browser will use a sans-serif font. If that font is not available or couldn't be used for any reason, then it will use the second font Helvetica. In the above example, the browser will first use Arial. For more information visit this page.Font-family : Arial, Helvetica, sans-serif This typeface is also available within Office applications. Products that supply this font Product name
VERDANA FONT FAMILY HTML CODE SOFTWARE
VERDANA FONT FAMILY HTML CODE MAC
All Rights Reserved.ฤก252 LaLatin 2: Eastern Europe 1251 Cyrillic 1253 Greek 1254 Turkish 1257 Windows Baltic 1258 Vietnamese Mac Roman Macintosh Character Set (US Roman) It was also supplied with Microsoft Internet Explorer 3.0 released on 13 August 1996. Version 1.01 - Verdana version 1.01 was added to our Core fonts for the Web on 8 July 1996. Internet Explorer 3.0 came with Verdana version 1.01. It was also supplied with Microsoft Internet Explorer 4.0 which launched on this date.
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Version 2.10 - This WGL4 (no euro) version of Verdana was added to our Core fonts for the Web on 30 September 1997. Version 2.31 - Verdana version 2.31 extends the WGL4 version 2.00 to include the euro currency symbol and Vietnamese language support. Although the screen size bitmaps were the most crucial in the production of these fonts uses should not be limited to on screen typography." Verdana version history Version 2.35 - This version of Verdana includes some minor table updates, but no new glyphs. In the words of Tom Rickner, "My hope now is that these faces will be enjoyed beyond just the computer screen. Some of the subtleties of the letterforms, such as the slightly modulated stroke weight only become truly apparent at larger sizes. Despite the quality of the Verdana font family at small sizes it is at higher resolutions that the fonts are best appreciated. The family is continually being extended to support multilingual needs. The Verdana typeface family was first made available on July 8, 1996. In on-screen typography, it's important to keep the characters distinct from one another, and research has shown that wider letterspacing significantly aids reading from the screen. The limited number of pixels available at low resolutions means that tightly set characters can easily clash turning an r n into an m, or creating distracting black patches in a word. The generous width and spacing of Verdana's characters is key to the legibility of these fonts on the screen. And the various weights in the typeface family have been designed to create sufficient contrast from one another ensuring, for example, that the bold font is heavy enough even at sizes as small as 8 ppem. Commonly confused characters, such as the lowercase i j l, the uppercase I J L and the numeral 1 have been carefully drawn for maximum distinctiveness - an important characteristic of fonts designed for on-screen use. The relationship between straight, curved and diagonal strokes has been painstakingly developed to ensure that the pixel patterns at small sizes are pleasing, clear and legible. The Verdana fonts exhibit characteristics derived from the pixel rather than the pen, the brush or the chisel.
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But to label Verdana a humanist face is to ignore the fact that this family isn't merely a revival of classical elegance this is type designed for the medium of screen. The Verdana family resembles humanist sans serifs such as Frutiger, and Edward Johnston's typeface for the London Underground, and Carter himself claims to see the influence of his own Bell Centennial in the face. Designed by world renowned type designer Matthew Carter, and hand-hinted by leading hinting expert, Agfa Monotype's Tom Rickner, these sans serif fonts are unique examples of type design for the computer screen. The Verdana typeface family consists of four TrueType fonts created specifically to address the challenges of on-screen display.